Jane & Prudence

Jane & Prudence / Barbara Pym
London: Virago, 2013, c1953.
240 p.

An enjoyable reread, I found I appreciated this much more on the second time around! I think I first read it three or four years ago now. Perhaps my sensibilities have become more refined with age ;)

Jane and Prudence are unlikely friends, a decade apart. But they are old university acquaintances and have maintained their friendship. Jane is married to a Vicar, and they've just moved to a new country parish. Jane is a bit dithery and wears whatever clothes come to hand -- domesticity is not her strength, she'd rather be thinking about the 17th century poets she studied at Oxford so long ago.

Prudence on the other hand is a London girl, always dressed and groomed beautifully, but with a penchant for unsuitable love affairs. She fancies herself in love with her employer, a distant, gruff, married academic who works in some 'vague cultural organization'.

But now that Prudence is nearing 30, and Jane has a whole new social circle to explore, Jane starts thinking about matchmaking... and discovers that it is harder than it looks.

Like every Pym book, this one is full of wry observations, amusing reflections, and a reflection of the ways in which women prop up men in every way. And there is the reappearance of characters from her first novel, Crampton Hodnet.  But Pym's characters are often eccentric, not in behaviour as much as thought, and Jane lives up to this tendency well.

“Prudence’s flat was in the kind of block where Jane imagined people might be found dead, though she had never said this to Prudence herself; it seemed rather a macabre fancy and not one to be confided to an unmarried woman living alone.”

Jane's first try at matchmaking goes sideways, but Prudence has other irons in the fire anyhow. She has a few interests in London, and starts up a flirtation on her own. However, Jane is not dissuaded and comes up with a brilliant idea.

The joy in this book is in Pym's wonderful writing. The observations, the quiet humour, the archness of some characters, and the way in which she subverts any expectation that she writes as a repressed spinster. She has no qualms about love and all its ramifications, and about the worthiness of men.

“Prue hadn't really been in love with Fabian. Indeed, it was obvious that at times she found him both boring and irritating. But wasn't that what so many marriages were - finding a person boring and irritating and yet loving him? Who could imagine a man who was never boring, or irritating?” 

And she doesn't shy away from earlier characters who are quite realistic about the niceties of a woman's situation.

“Brides over thirty shouldn't wear white,' said Jessie, who had now joined them.
'Well, they may have a perfect right to,' said Jane.
'A woman over thirty might not like you to think that,' said Jessie quickly. 'There can be something shameful about flaunting one's lack of experience.” 

Anyhow, I should stop quoting her now as I could probably add twenty more funny bits before I'm done. This is such a sharp and charming read, and one that gets better each time. 

A Pure Clear Light

A Pure Clear Light / Madeleine St John 
London: Carroll & Graf, 2000, c1996.
240 p.

Another of Madeleine St John's small oeuvre, I finished this one this week, much more slowly than I read the last two.

I didn't feel as engaged by this book as the others I've read: it focuses on Simon and Flora's marriage and the moment at which Simon is overcome by his attraction to Gillian, a cool blond accountant, and starts an affair -- while Flora is feeling like something's missing in life and so starts exploring a return to the church. She even goes so far as to help out at the jumble sale, in a Pym-like twist.

Flora and Simon have 3 children and both work in artistic fields, with artistic friends abounding. Like her other books this is told in a lot of dialogue, and at times I had to stop and reread a number of times, even aloud, to figure out who was saying what. There's a lot of introspective waffling by many of the characters here, and not always very interesting thoughts, especially by the self-justifying Simon. 

There's is also a whole chapter that is just a sermon by a vicar, completely inserted whole cloth into the story, loosely stitched in by having Flora enter and leave the church. It was a bit much for me. I think it must reflect St John's personal reflections and her thoughts at the time of writing; it feels like a glimpse into the lives of a rather arty, well-off strata of Londoners. And because of that it doesn't feel quite as sharp as The Essence of the Thing (though Nicola and Jonathan from that book make an appearance in this one too). It's a small circle, of a particular kind of person, that she is writing about.

This one feels a little surfacey, a little bit artificial. Simon's choice is laid out as a dichotomy between stable marriage that is pretty good and wild passion. Flora doesn't seem to have much of a choice, though at times she finds it easier to live without Simon around. 

The struggle just seems a little bit, dare I say, cliché? I was not convinced by Simon -- I thought he was a bit of a twit all along. And St John's use of language to show the difference between the 'nice' home life and the more sexy, modern, affair (lots of curse words) jar with the tone of the book as a whole, for me.

So while she can sure write, and is clever and leavens her story with wry observations and humour I just didn't love this one. It took me longer to get through it, and I didn't love any of the characters much. It is good -- but not a keeper. 

But Gentlemen Marry Brunettes

But Gentlemen Marry Brunettes / Anita Loos; illustrated by Ralph Barton.
New York: Penguin, 1998, c1927.
123 p.

This is Part Two in this edition of Loos collected works about Lorelei. I read Gentlemen Prefer Blondes in the fall, and so just had to read the next one to see what happened next. 

Well, what happened was a sequel to a hit novel that does not live up to the original.

In this story, Lorelei is married but still carrying on much as usual; meeting gentlemen, throwing parties, trying to get what she can out of men. Her friend Dorothy is still giving practical advice, this time telling Lorelei that having a child as soon as possible will cement her advantageous marriage, then she can do what she wants again. 

The story turns out to be a lot more about Dorothy, her past, her present, and the future which Lorelei is working hard to make happen, since she wants Dorothy as well settled as she herself now is. But Dorothy is a tiny bit more realistic than Lorelei's rather flighty character and so there is more of a serious undertone -- at times -- than there was in the first story. 

There is still the funny flippancy and the winks at the reader which appeared in the first book. There is social commentary of a sort, and definitely lots of 'innocent' comments on the state of women in this society. It was still entertaining to read about Lorelei and Dorothy's shenanigans, the parties that last all night, the way they make themselves the centre of attention in déclassé ways which they think are charming and delightful. While it wasn't as sparkling and funny as the first, it gave a nice sense of continuation and a bit more depth to these two characters. 

I wouldn't recommend reading both of these right back to back as you may tire of the style and the characters. But as a refreshing interlude between more serious reading, both of these books sparkle and entertain. 

The Essence of the Thing

The Essence of the Thing / Madeleine St John
New York: Carroll & Graf, c1997.
234 p.

After being introduced to Madeleine St John through her book The Women In Black late last year, I knew I wanted to read more of her work. Thanks to our Interlibrary Loan system, I was able to find her other 3 novels -- she only wrote four books in total so I am trying not to rush through them too quickly. But I did get through this book in a day or two.

It's completely different than her first one. I liked this but didn't fall in love with it like I did with The Women in Black. This one feels more like a typical English novel in the style of Anita Brookner, or one of the varied Penelopes.

Nicola goes out to the corner store to pick up some cigarettes one night, and returns to discover that her boyfriend Jonathan has coldly decided that they are over and that she needs to move out. This catches her completely unaware, and the shock and upset carry her through the next few days as Jonathan goes to visit his parents to give her time to vacate the premises.

So she does, and friends take her in and help her through her confusion and distress, and suggest helpful things like "we should kill him". They help her with practicalities like finding her own place to live once again, and get her back into life. She even finds a new and more exciting job that will take her out of London. Meanwhile, Jonathan discovers that what he thought he was feeling is not at all what he'd believed.

It's a sad and true-to-life look at relationships and how they founder, and how lives are affected when a person is alienated from their own emotions. While it seems predictable in some of the plot elements, there is also enough honesty and humour in the emotional exposition to make it original and true. It moves quickly, with short chapters and a lot of conversation, not too much drawn out introspection despite the topic. 

At times it does feel a bit as if she's writing about characters she knows about from reading about them elsewhere, in other English novels, but in the end I did find that Nicola's move toward independent life was enough to make me enjoy this book. It's somehow not sentimental about a very emotional situation; it shows the sadness in the loss of this relationship and reveals that it's not going to be a sweet, happy ending with everything forgotten and a return to what they had before. But that's realistic indeed. 

The balance that the author is working toward is made clearly evident. The title drop explains the core of this story, the essence of it, so to speak.

"That was Nicola’s marmalade, and they were not now in a shared-marmalade situation. He knew he’d been right in principle, in essence: it was just the mundane details which took a bit of getting used to. Too bad about the marmalade. The balance between bitter and sweet was the essence of the thing."

Photo by Calum Lewis on Unsplash

The Gown

The Gown / Jennifer Robson
New York: William Morrow, c2019.
368 p.

I just finished this lovely read, a story of three women connected by family ties and friendship, centred in the Norman Hartnell embroidery workshop that created Queen Elizabeth's wedding gown. 

Starting in 1947, we meet Ann Hedges, an embroiderer at the Hartnell workshop who is living alone; her parents are dead, her brother was killed in the Blitz, and her young widowed sister-in-law has just emigrated to Canada. She is getting by, but is fairly lonely. 

Next we meet Miriam Dassin, a French Jewish woman who has left France after surviving the war and Ravensbruck, though all of her family was killed. She is desperate for a job, so when she's turned away from Hartnell's workshop she goes in the front door instead and presents herself right to Norman Hartnell himself, with her letters of recommendation from Christian Dior. Her training in French embroidery houses convinces the kindly Hartnell to hire her, and she begins right away, placed alongside Ann as one of the more experienced stitchers. 

The two develop a strong friendship, slowly -- they are both reserved and as women alone are quite cautious. But Ann needs a roommate now that her sister-in-law is gone, and Miriam needs a place to live. They become partners both at work and in their living arrangements, depending on one another to keep their spirits up and to encourage one another in their varied pursuits. Ann loves to draw dress designs, while Miriam finds an urge to depict her past in fabric, becoming in the end a renowned textile artist -- but that is far in the future. 

For now, they find out that they will be embroidering motifs for the young Princess Elizabeth's wedding gown, including the fiddly appliques for her train. The whole workroom is thrilled and anxious, as this wedding is a huge highlight in a post-war Britain still suffering from rations and austerity. Everyone is excited and wants details; the embroiderers and sewists at Hartnell are beleaguered by journalists and paparazzi style questions as they leave work each day. Giving out details of The Gown could bring them quite a lot of money -- but nobody leaks anything. 

Combined with these two narrative lines is a third, modern-day one: Ann's granddaughter Heather, from Toronto, has come to England to find the truth about her grandmother's life; Ann has just died and left Heather some floral appliques that look like the ones on the Queen's wedding dress. Heather tracks down some clues that lead her to Miriam Dassin, now a world famous artist who is retired and doesn't give any interviews. But luck is on Heather's side, and by chance she is introduced to Professor Daniel Friedman, who is also Miriam Dassin's grandson...

Robson has the atmosphere of post-war London down to details; it was so engrossing to read of Ann's council house in the suburbs, and how they took the early train to work because it was cheaper, and made do with their ration coupons, and were always cold due to the lack of coal and the hardest winter in memory, and how class was still so defining, and how women's lives were constrained by social expectation even after all the changes during wartime. She also has the sewing and embroidering details to perfection. As a sewist and embroiderer myself, I really enjoyed the descriptions of the workroom - the large frames, the miniscule embroideries, the way that Ann cuts applique shapes from satin and mentions both the grain of the fabric and the way it frays and can't be turned under and basted, the beads, the importance of light, the tired feeling in the eyes and neck after a long day - it was all so realistic and evocative. 

The story is 'about' two women working on the elaborate wedding gown for the Princess, but that's just the central motif, and Robson has embellished a complex story around it, weaving together two distinct lives and stories in an utterly convincing way. There is some romance in the story, but what I loved about it, besides all the concentration on sewing and stitching, is that it focuses on two women at work. It's about their working lives, the routine and the details of work and how it melds into art and into the discovery of Miriam's art form. These two friends talk about much more than men and romance, and the side characters include a lot of other women who also support each other in difficult circumstances. 

If there is any weakness in the book, I think it is in the modern day component; it just isn't as powerful as the 1947 story. There is a bit of a predictable feeling in the modern day romantic thread, but there is also a lot of great description of Miriam's art and success now that she near 90. It's just hard to compete with the two fabulous characters sewing and living in postwar London. But all three narratives converge beautifully, and feel very true to life. I was thoroughly absorbed in the book, and also really enjoyed the author's note and the interview with a real Hartnell embroiderer included at the end. A great read which was historically satisfying and artistically inspiring. 

Hospital Corridors, a Canadian Romance

Hospital Corridors / Mary Burchell
Richmond UK: Mills & Boon, 1976, c1958.
192 p.

A second Burchell that I've just finished is also up for a review -- but this time, not because of its social criticism and exploration of post-war values. No, this time it's because I was vastly entertained to discover that this book was set mostly in Montreal!

And I started to wonder if Burchell has been hired by the Canadian Tourism Board for this little travelogue ;) There is a lot of rhapsodic description of the setting, as Nurse Madeline arrives from England to Quebec City, then makes her way to Montréal, and encounters rich Anglo weekends in the Laurentians, country drives to small Quebec towns, a view clear across to the the USA on a clear day from the Lookout on the Mountain, and even a dinner at Ruby Foo's.

The descriptions are delightful, and I could pretty much identify the huge "Dominion Hospital" she works at as the Royal Victoria. And the hotel at which she meets her upper crust English suitor -- for dinner only! -- must be the Ritz Carlton.

The story is fairly predictable though the depiction of Madeline and her fellow young nurses is entertaining and lively. The plot: Madeline's half-sister Clarissa meets a Canadian doctor in their English setting in the mid-50s -- she tells Madeline and their mother Enid that she will likely marry him, so they should all start thinking about moving to Canada together. Madeline, a trained nurse, discovers that there is a training program available for English nurses to work a year in Montreal, so she applies. Then Clarissa throws over her doctor, but Madeline determines to go forward with her own adventure anyhow. And meets a mysterious, handsome doctor on the ship over, who of course turns out to be the one and only jilted almost-brother-in-law.

There are a lot more machinations in the plot to get Madeline and Doctor Nat Lanyon together. Madeleine has another admirer, the charismatic Morton Sanders, her sister's previous employer who hired her to accompany his neurotic mother to Canada aboard the ship, and is  now giving her a bit of a rush. Doctor Lanyon seems remarkably sanguine about Madeleine dating another man for most of the book. It's only when her sister and mother come over for a visit and Clarissa bats her eyes at him once more, never mind that she's now legally married to someone else, that jealousy reveals Madeleine's true feelings to herself, and then, of course, all ends well. As Madeline and Nat declare their love to one another, they also declare their love for the country. This is the ending of the book:

"Stop here for a while, Nat,"she said softly. "I want to look at my little bit of Canada."
He stopped immediately, humouring her, and together they looked out over the darkening city.
"It's beautiful," she said half to herself. "It's beautiful, and now it's my home."
"It's only one corner of your home, my darling," he assured her. "All the years and all the miles are there for us both. From ocean to ocean it will all be your home. Together we'll watch the sunrise in the Rockies, the water come swirling down Kicking Horse River, and the mists clearing from the Valley of the Ten Peaks. You haven't seen more than the smallest beginning of it yet."
"I know. It's so vast one can't quite imagine it even now." She smiled slowly. Then musingly she said, "Canada. They call it the land of the future, don't they?"
"They do. And perhaps they're right." He smiled too then. "At any rate, it's the land of our future."
Then he started the car once more, and they drove at their own pace back to the hospital, secure in the knowledge that tonight, not only Canada, but all the world was theirs.

After that Tourism Board Approved™ conclusion, all I could think of was this.I hope you enjoy!

Mary Burchell's Love is My Reason

Love is my Reason / Mary Burchell
Toronto: Harlequin, 1974, c1957.
189 p.

I've read a lot of Mary Burchell's Harlequin romances over the years. From my first introduction to her charming romances, But Not For Me (now a favourite) to the discovery of her quite astonishing life and her memoir We Followed Our Stars -- also republished as Safe Passage in 2008 --I've found her completely fascinating. 

I just found out about this particular book recently, and though I don't review much of my genre reading, I wanted to share this one. 

Published in 1957, it details the feelings arising in a young woman, Anya Beranova,  as a result of being a Displaced Person after the war. As someone on Goodreads noted, there is not a lot of romance in this one; it feels like Burchell rolled one in so that Harlequin would publish it with her other work. The main love interest is a bit dreary, really, but Anya wants him, and that's all that really matters. 

In its tone and its look at post-war politics and social gradations, I was reminded in some elusive way of Helen MacInnes, a mystery writer of the same era. I loved the way that Burchell's long established love of opera and theatre and performance also plays a role in this story, as Anya discovers a latent "small talent" that leads her to her family and her future. 

The story runs thus: young Anya meets Englishman David Manworth by chance when he's holidaying in Bavaria. By a series of chance circumstances they meet a few times and develop a friendship. Then her father dies, after asking David to care for his young daughter...who is really the daughter of an Englishman. 

Feeling in some way responsible for her, David and his party -- his Aunt, her friend and her daughter, plus David's cousin, take Anya back to England with them. Anya must there discover who she really is and what she really wants, all while dealing with the emotions arising from her rootlessness and lack of national identity, and her long history of powerlessness and insecurity in DP camps across Europe. 

There are some reflections that are frighteningly current. With David in Bavaria there is a young woman, Celia, who is likely to marry him as their positions are similar and it would be convenient to them. She takes an instant dislike to Anya, which Anya sees, being so aware of her security in the world and how other people affect that. As Burchell writes,

Anya felt the chill of that stony dislike.
"And yet she has everything on her side," thought Anya wonderingly. "She is secure and happy and rich and beloved. Why should she hate and fear me, a stranger, with no country, no home, and even a father who is in doubt?"

A good question. 

Anya is shuffled around a bit, finds her hidden talent thanks to Cousin Bertram, a stage manager (and one of the most appealing characters in the book for me), discovers her true identity and gets her man in the end. But even as she's doing so she continues to hold her ambition to develop a career and to be self-sufficient and independent, and to hold her future in her own hands. I feel that if Burchell had been able to get away with not marrying her off in the end, she might have done so -- and the book would certainly have been more realistic and powerful that way. 

I was really struck by the currency of the concept of this story, and by Burchell's compassion not for The Displaced as a generality, but the real interior life of one young girl caught up in the winds of war. It makes the setting and the social conditions of the DP camps much more emotionally resonant. Burchell's work during the war and her concern for those caught up in its aftermath both shine out in this book in a way I haven't seen from her before.

While it's a pretty slight romance with convoluted plotting for drama's sake, it's also a fascinating contemporary look at the very present reality of DPs, refugees and those fleeing conflict in whichever way they can. A timely read that still echoes today. 

Cold Comfort Farm

Cold Comfort Farm / Stella Gibbons
London: Penguin Essentials, 2011, c1932.
233 p.

After my last experience with Stella Gibbons I thought it was time to read her classic, the one which everyone thinks of when you hear her name -- it's like the rest of her 30 novels and short story collections don't even exist in the face of this book. 

Since my husband had just found me this charming new copy, it was perfect timing to dig in. Except that I found it rather hard going. 

Perhaps it was just that I wasn't in the right mood when I began it, but the first few chapters didn't feel funny at all. They were slow and tedious, and I wasn't sure if I'd keep on with it. 

But. Then it started to pick up, perhaps when Robert Poste's Child finally made it to Cold Comfort Farm and encountered her cousins the Starkadders. 

The comparison between the satirical depiction of the Starkadders in high Thomas Hardy style and Flora's practical, modern, down-to-earth sensibility was where the humour was found. When she arrives at Cold Comfort Farm, it is dark, foreboding, mysterious -- Cousin Judith moons about wailing after her handsome son Seth (who loves philandering and the talkies); Cousin Amos preaches hellfire and neglects the farm; son Reuben only wants to have the farm and make it go, if he can get a chance; daughter Elfine floats about in art school fashions communing with nature and nearly losing her chance at an advantageous marriage. Over them all looms the figure of Aunt Ada Doom who rules the farm from her bedroom, playing on the  fact that she saw something nasty in the woodshed when she was a child. 

When Flora arrives she quickly straightens things out. One by one she sets her plans into motion, starting with giving the eternally pregnant servant girl some birth control tips, and continuing on to encourage Amos to widen his flock, introduce Seth to a movie mogul, and engineer Elfine's transformation into a country gel in order to catch her intended. 

Flora snaps Aunt Ada Doom's iron control of the farm, and then in a flash of inspiration she sees how to change Aunt Ada herself. It's a very silly and over-the-top tale, with some engaging storylines, and a delightfully satisfying conclusion. I'm not sure how much funnier it would have been originally, when published in the midst of the vogue for Hardyesque, doomed countryside stories. Since I have read most of Hardy and of Mary Webb who she is also satirizing, I caught many of the references. But the problem is that I also quite like both Hardy and Webb, and while I see what Gibbons was doing here to great effect, at times the narrative leaned slightly toward the snobbiness I felt in her story collection that I've just finished as well, though not as directly.

In any case, this was in the end quite an entertaining read with lots to laugh over, if you don't take the dated elements too seriously. I think I'll have to rewatch the film someday as well and see how it's held up. 

Christmas at Cold Comfort Farm

Christmas at Cold Comfort Farm / Stella Gibbons; intro by Alexander McCall Smith
London: Vintage, 2011, c1940.
304 p.

I picked up this book of 16 short stories over the Christmas holidays, obviously drawn to it by the title and the season. However, only the first two stories are Christmas themed, one of them being a set piece at Cold Comfort Farm before the advent of Flora Poste to set things right. It was fairly thin, feeling like it was inserted just so the title of this collection could attract readers of said novel, Stella Gibbons' best known work by far. 

The other Christmas story was quite charming and enjoyable, featuring a spinster who decides to celebrate Christmas on her own in the countryside but encounters three children and then their father, a widower of course...

The rest of the stories are more general, stories that Gibbons published in varied magazines and papers of the day. As such they are of a certain type; created to appeal to the audience for these women's serials. They mostly deal with relationships -- with women and their marriages and love affairs, and very, very often with the contrast between the flighty modern 'smart set' of the 20s & 30s and the respectable, conventional lives of the rest of society. Gibbons comes down strongly on the side of the conventional, particularly regarding gender norms, and after fourteen stories about how dull and virtuous women and their strong and manly husbands prevail I must say I was getting a sense of Gibbons as a rather snobby and judgemental woman who I wasn't all that fond of. Perhaps it was reading them all in too rapid succession -- if I'd spaced them out a bit they may not have been so overwhelming in that regard. 

But as Alexander McCall Smith says in the introduction, they are stories from a certain period and they carry that flavour. Yes, they sure do. I enjoyed a few of them greatly, some mostly and one or two I didn't like much at all. 

But as a whole, if you do like Gibbons already, or enjoy popular writing from the 30s, this is a nice collection to explore. I decided after finishing this that I should tackle Cold Comfort Farm itself next, as I've never read it, just seen the delightful 1995 BBC film. More on that shortly...


********************************************
This is pretty much exactly what I would want to say about this book, except the 'small-c conservatism' mentioned rankled me a little bit more after the third or fourth story about the sanctity of old-fashioned marriage in the face of modern frivolity.

12th Annual Canadian Book Challenge: the Halfway Point!

Here is the traditional halfway roundup of titles read thus far, for the 12th Canadian Book Challenge!

You've all done very well indeed, and given me a lot of titles to gather up -- lots of variety -- some interesting debut authors, poetry, nonfiction, children's books, graphic novels, just to mention a few. And not many duplicated titles -- I'm actually quite amazed at how many different authors and titles have been read with hardly any doubled up!

The first author to have had more than one title reviewed was Jeff Lemire.
The author with the highest number of different titles reviewed so far is Heather Hudak, with 6.
The first title to be reviewed more than once was Vi by Kim Thuy.
The title with the most reviews so far is Thea Lim's An Ocean of Minutes, with 4.
We've read 256 different authors starting with every letter of the alphabet except for Q & X.

If you find any missing or incorrect links please let me know either in the comments or a quick email. Thanks!

Alexis, André
-Fifteen Dogs (Rob)

Allen, Grant
-Miss Cayley's Adventures (Brian Busby)

Aloian, Molly
-Cultural Traditions in Canada (Irene)
-Remembrance Day (Irene)

Anderson, Laurie Halse & Emily Carroll
-Speak (John Mutford)

Andrasofszky, Kalman & Leonard Kirk
-Captain Canuck Aleph (John Mutford)

Atwood, Margaret
-Blind Assassin (Mary R.)
-The Handmaid's Tale (Reese)

Auger, Wendy Frood
-10 Drowsy Dinosaurs (RIEDEL Fascination)

Bach, Mette
-Cinders (Teena)
-Charming (Teena)
-You're You (Teena)

Bailey, Don & Bob Hilderley 
-Best Canadian Christmas Stories (Irene)

Bailey, Linda & Julia Sarda
-Mary Who Wrote Frankenstein (Jo)

Baker, Keith
-Lunenburg (Teena)

Bala, Sharon
-The Boat People (Red 5)

Barbeau, Melissa
-The Luminous Sea (Naomi)

Barbeau-Lavalette, Anaïs
-Suzanne (Melwyk, Irene)

Barr, Robert
-The Triumphs of Eugene Valmont (Brian Busby)

Bass, Karen
-Two Times a Traitor (Puss Reboots)

Bates, Larry
-Beat the Bank (Irene)

Bates, Ronald
-The Wandering World (Reese)

Bender, Rebecca
-Giraffe and Bird Together Again (Shonna)

Benison, CC
-Death At Buckingham Palace (RIEDEL Fascination)

Bertin, Johanna
-Don Messer (Teena)

Bertin, Leonard
-Target 2067 (Brian Busby)

Betts, Amanda
-In Flanders Fields (Irene)

Bidini, Dave
-Midnight Light (John Mutford, Irene)

Bird, Kate
-Vancouver in the Seventies (Eric)

Birney, Earle
-Turvey (Leaves & Pages)

Bischoff, Theanna
-Left (Teena)
-Swallow (Teena)

Blais, Francois
-Document 1 (Reese)

Bonner, Margerie
-The Shapes that Creep (Brian Busby)

Boone, Ezekiel
-Zero Day (Darlene)

Boothby, Ian & Nina Matsumoto
-Sparks! (John Mutford)

Bouchet, David
-Sun of a Distant Land (Eric)

Bourgeois, Paulette
-Franklin's Neighbourhood (RIEDEL Fascination)

Bowling, Tim
-The Tinsmith (Shonna)

Boyagoda, Randy
-Original Prin (Reese)

Bradley, Alan
-The Grave's A Fine & Private Place (Wendy/Kentworld)

Brenna, Beverley
-Sapphire the Great and the Meaning of Life (Shonna)

Brown, Calef
-Hypnotize a Tiger (Mary R)

Brown, Ron
-Canada's World Wonders (Irene)

Buell, John
-Playground (Leaves & Pages)

Buist, Ron
-Tales From Under the Rim (Teena)

Burden, Arnold
-The Dramatic Life of a Country Doctor (Teena)

Burford-Mason, Aileen
-Eat Well, Age Better (Irene)

Burn, KC
-Tartan Candy (Darlene)

Calvert, Kathy
-Ya Ha Tinda (Irene)

Cameron, Susan
-These Four Walls (Irene)

Campbell, Melodie
-The B-Team (Bill Selnes)

Casey, Quentin
-The Sea Was in Their Blood (Irene)

Chapman, Brenda
-Turning Secrets (Teena)

Choyce, Lesley
-Peggy's Cove (Teena)

Clark, Michael J.
-Clean Sweep (Shonna)

Clewes, Rosemary
-The Woman Who Went to the Moon (John Mutford)

Cody, H.A.
-The Girl At Bullet Lake (Brian Busby)

Collins, Carolyn Strom & Christina Wyss Eriksson
-The Anne of Green Gables Christmas Treasury (Red5)

Compton, Wade
-The Outer Harbour (Eric)

Cooper, Paige
-Zolitude (Nancy)

Coren, Michael
-Epiphany (Irene)

Côté, Véronique & Steve Gagnon
-I Never Talk About It (Melwyk)

Coulter, Myrl
-The Left Handed Dinner Party (Reese)

Coupland, Douglas
-Terry (Gord, Teena)

Creasey, Eleanor
-On Remembrance Day (Irene)

Crewe, Lesley
-Relative Happiness (Teena)

Critch, Mark
-Son of a Critch (Teena)

Curtis, Sky
-Flush (Irene)

Curtis, Wayne
-Sleigh Tracks in New Snow (Lisa)

Cushing, E.L.
-Murder's No Picnic (Brian Busby)
-Maid At Arms (Brian Busby)

Czajkowski, Chris
-Cabin at Singing River (Leaves & Pages)

Davidson, Craig
-The Saturday Night Ghost Club (Luanne, Melwyk, Irene)
-Cataract City (Irene)
-Precious Cargo (Irene)

Dawn, Amber
-Sodom Road Exit (PussReboots)

Delany, Vicky
-White Sand Blues (Jo)
-Elementary, She Read (PussReboots)

Demers, Charles
-Property Values (Rob)

Desjardins, Martine
-The Green Chamber (Melwyk)

Denbok, Leah
-Nowhere to Call Home (Luanne)

Dewitt, Patrick
-Sisters Brothers (Irene)
-French Exit (Nancy, Mary R.)

Dickinson, Terence
-Exploring the Sky by Day (Irene)

Diespecker, Dick
-Rebound (Brian Busby)

Dimaline, Cherie
-The Marrow Thieves (Red 5, Swordsman, Naomi)

Dixon, Joan
-Extreme Canadian Weather (RIEDEL Fascination)

Donahue, Anne T.
-Nobody Cares (Irene)

Donoghue, Emma
-The Lotteries, More or Less (PussReboots)

Dumont, Dawn
-Glass Beads (Melwyk, Irene)

Edugyan, Esi
-Washington Black (Nancy)

Elliott, Zetta & Aaron Boyd
-Melena's Jubilee (Puss Reboots)

Epp, Darrell
-After Hours (Irene)

Faker, Sarah
-All Beauty is Now (Irene)

Farmer, Bonnie & Marie Lafrance
-Oscar Lives Next Door (Puss Reboots)

Flanders, Cait
-Year of Less (Melwyk, Teena, Red5)

Forrest, John
-Home For Christmas (Red5)

Fraser, Nancy Wickware
-Mysterious Brockville (RIEDEL Fascination)

Garcia, Emilio Jose & Samantha Kristoferson
-Recipe for an Extraordinary Life (Irene)

Gardner, Whitney
-Chaotic Good (Melwyk)
-Fake Blood (John Mutford)

Gates, Eva
-Spook in the Stacks (Puss Reboots)

George, Kallie
-The Enchanted Egg (Puss Reboots)

Golliger, Gabriella
-Girl Unwrapped (Reese)

Graham, Genevieve
-Come From Away (Red 5, Naomi)
-Tides of Honour (Red 5)
-Promises to Keep (Red 5)
-Under the Same Sky (Red 5)

Grainger, Gennifer
-From the Vault (Irene)

Gravel, Elise
-The Mushroom Fan Club (John Mutford)

Gray, John
-Billy Bishop Goes to War (Eric)

Greene, Elizabeth
-A Season Among Psychics (Melwyk)

Grover, Ione
-No Matter What Happens (Irene)
-Book of Blessence (Irene)

Hamilton, Ian
-The Water Rat of Wanchai (TraceyK)

Hancock, Pat & Mark Thurman
-Creatures of the Night (RIEDEL Fascination)

Harding, Robyn
-Her Pretty Face (Luanne)

Harmer, Liz
-The Amateurs (Melwyk)

Harrison, A.S.A.
-The Silent Wife (Patricia)

Hay, Elizabeth
-Garbo Laughs (Irene)
-Alone in the Classroom (Irene)
-His Whole Life (Irene, Shonna)

Haynes, Michael
-The Great Trail (Irene)

Hébert, Anne
-Am I Disturbing You? (Melwyk)

Helmer, Marilyn & Laura Watson
-Three Barnyard Tales (RIEDEL Fascination)

Heras, Theo & Alice Carter
-Our New Kittens (Shonna)

Heti, Sheila
-Motherhood (Irene)

Hicks, Faith Erin
-The Divided Earth (PussReboots)

Ho, Van & Marsha Forchuk Skrypuch
-Too Young to Escape (Shonna)

Hopkinson, Nalo
-The New Moon's Arms (Mary R.)

Horvath, Polly
-Very Rich (PussReboots)

Howarth, Jerry
-Hello Friends! (Teena)

Hudak, Heather
-Fall Fairs (Irene)
-Family Day (Irene)
-Remembrance Day (Irene)
-Pride Festivals (Irene)
-National Indigenous Peoples Day (Irene)
-Thanksgiving (Irene)

Humphreys, C.C.
-Chasing the Wind (Gord)

Huston, Nancy
-Slow Emergencies (Melwyk)

Hynes, Joel Thomas
-We'll All Be Burnt in Our Beds Some Night (Irene)

Itani, Frances
-Deafening (Red 5)

Jenkins, Steve, Derek Walters & Caprice Crane 
-Happily Ever Esther (John Mutford, Teena)

Jessome, Phonse
-Disposable Souls (Teena)
-Murder at McDonalds (Teena)
-Somebody's Daughter (Teena)

Johns, Chris
-A Taste of Prince Edward Island (Irene)

Johnson, Harold
-Corvus (Melwyk)
-Clifford (Irene)

Jolly, B. Denham
-In The Black (Irene)

Kamal, Sheena
-It All Falls Down (Harvee)
-The Lost Ones (Harvee)

Kearsley, Susannah
-Bellewether (Red 5)

Kimmel, Fran
-No Good Asking (Luanne)

King, Basil
-The Empty Sack (Brian Busby)
-The Thread of Flame (Brian Busby)

King, Thomas
-Coyote Tales (Jo)

Klein, Michael
-Dissident Doctor (Irene)

Kooser, Ted & Jon Klassen
-A House Held Up By Trees (Puss Reboots)

Korman, Gordon
-Whatshisface (Pussreboots)
-Restart (Pussreboots)

Lafferty, Catherine
-Northern Wildflower (John Mutford)

Laforme, Chief R. Stacey
-Living in the Tall Grass (John Mutford)

Laidlaw, Rob
-Cat Champions (Teena)

Lapeña, Shari
-An Unwanted Guest (Luanne)

Leach, Sara
-Slug Days (Puss Reboots)

Lemire, Jeff, Lewis LaRosa & Mico Suayan
-Bloodshot Salvation (John Mutford)

Lemire, Jeff
-Sherlock Frankenstein (Puss Reboots)
-Roughneck (John Mutford)

Leroux, Catherine
-Madame Victoria (Naomi)

Leung, Carrianne 
-That Time I Loved You (Naomi)

Léveillé-Trudel, Juliana
-Nirliit (Melwyk)

Lewis, Robert
-Power, Prime Ministers and the Press (Irene)

Lilley, Joanna
-The Birthday Books (John Mutford)

Lim, Thea
-An Ocean of Minutes (Mary R., Nancy, Melwyk, Irene)

Lin, Hartley
-Young Frances (Puss Reboots)

Lovett-Reid, Patricia
-Get Real (Irene)

Lye, Harriet Alida
-The Honey Farm (Naomi)

Macdonald, Frankie & Sarah Sawler
-Be Prepared! (Teena)

MacIntyre, Linden
-The Bishop's Man (Wendy/Kentworld)

Mackay, Isabel
-Blencarrow (Brian Busby)
-House of Windows (Melwyk)

MacKenzie, Lily Iona
-Divine Comedy (Harvee)

MacLeod, Elizabeth
-Meet Viola Desmond (Irene)

Mah, Melanie
-The Sweetest One (Irene)

Maharaj, Rabindrinath
-Adjacentland (Eric)

Manguel, Alberto
-Packing My Library (Rob)

Mapa, Lorina
-Duran Duran, Imelda Marcos, & Me (John Mutford)

Marquardt, Tina
-Stray (Luanne)

Marston, Alan
-Strange Desires (Brian Busby)

Martel, Yann
-Life of Pi (Darlene)

Matejova, Miriam
-Wherever I Find Myself (Darlene)

Mayr, Suzette
-Monoceros (Puss Reboots)

McDonald, Anne
-Miss Confederation: the Diary of Mercy Anne Coles  (Gord)

McKay, Ami
-Half Spent Was the Night (Luanne)

McKenzie, Bob & Jim Lang
-Everyday Hockey Heroes (Teena)

McWatt, Tessa et. al.
-Luminous Ink (Gord)

Millar, Margaret
-Wives & Lovers (Nancy)

Miller, K.D.
-Late Breaking (Eric)

Milton, Steve
-Tessa and Scott (Irene)

Mlynowski, Sarah
-Weather or Not (Puss Reboots)

Montgomery, L.M.
-Anne of the Island (Red 5)
-Christmas at Red Butte (Faith Hope & Cherrytea)

Moscovitch, Hannah
-Infinity (Nancy)

Moyles, Trina
-Women Who Dig (Irene)

Munro, Alice
-Lives of Girls and Women (Irene)

Myers, Paul
-The Kids in the Hall: One Dumb Guy (Teena)

Newmark, Amy & Janet Matthews
-Chicken Soup for the Soul: Christmas in Canada (Red5, Irene)

Nielsen, Susin
-No Fixed Address (PussReboots)

Oppel, Kenneth
-Half Brother (Darlene)
-Inkling (PussReboots)

Packard, Frank L.
-Doors of the Night (Brian Busby)

Page, Kathy
-Dear Evelyn (Naomi)

Paisley, Erinne
-Can Your Conversations Change the World? (Irene)

Patterson, Kevin
-Consumption (Eric)

Paul, Julie
-The Pull of the Moon (Nancy)

Pearson, Patricia
-A Brief History of Anxiety: Yours and Mine (Irene)

Pellerin, Renee
-Conspiracy of Hope (Irene)

Pendziwol, Jean E.
-The Lightkeeper's Daughters (Red 5)

Penny, Louise
-Brutal Telling (RIEDEL Fascination)
-A Fatal Grace (John Mutford)
-A Trick of the Light (Lisa)
-The Beautiful Mystery (Lisa)
-How the Light Gets In (Lisa)

Peterson, Jordan
-12 Rules for Life (Darlene)

Porter, Anna
-In Other Words (Irene)

Pyjama Press
-Think Kindness (Shonna)

Redhill, Michael
-Bellevue Square (Irene)

Reichs, Kathy
-Deja Dead (Darlene)

Reid, Iain
-Foe (Luanne, Pussreboots)

Reynolds, Graham & Wanda Robson
-Viola Desmond: Her Life & Times (Teena)

Rice, Waubgeshig
-Moon of the Crusted Snow (Naomi)

Ridge, Yolanda
-Inside Hudson Pickle (Puss Reboots)

Ripley, Nathan
-Find You in the Dark (Darlene)

Robinson, Eden
-Trickster Drift (Melwyk, Irene)

Robinson, Peter
-The Hanging Valley (Reese)
-Sleeping in the Ground (Irene)
-Careless Love (Luanne)

Rocklin, Joanne & Lucy Knisley
-Love Penelope (Puss Reboots)

Roy, Gabrielle 
-Enchanted Summer (Melwyk)
-Children of My Heart (Irene)
-Where Nests The Water Hen (Irene)
-The Road Past Altamont (Irene)
-Garden in the Wind (Melwyk)

Royal Canadian Geographical Society
-Indigenous Peoples Atlas of Canada (Irene)

Russwurm, Lani
-Vancouver Was Awesome (Eric)

Sadler, Judy
-Embroidery (Irene)

Sarkadi, Laurie
-Voice in the Wild (John Mutford)

Schroeder, Karl
-The Million (Puss Reboots)

Scott, Genevieve
-Catch My Drift (Naomi)

Scrivener, Leslie
-Terry Fox: His Story (Teena)

Selecky, Sarah
-Radiant Shimmering Light (Melwyk)

Shatner, William
-Leonard: My 50 Year Friendship with a Remarkable Man (Teena)

Shatner, William & David Fisher
-Live Long and...  (Teena)

Shields, Carol
-Jane Austen (Reese)

Siré, Cora
-Behold Things Beautiful (Reese)

Skotnicki, Sandy
-Beyond Soap (Irene)

Skrypuch, Marsha Forchuk
-Adrift at Sea (Irene)

Slocum, Joshua
-Sailing Alone Around the World (Rob)

Smith, Barbara
-Great Canadian Romances (RIEDEL Fascination)

Smith, Russell
-How Insensitive (Eric)
-Noise (Eric)

Smyth, Fiona
-Somnambulance (Puss Reboots)

Spires, Ashley
-Gordon Bark to the Future (John Mutford)
-Fluffy Strikes Back (John Mutford)

Spruit, Jennifer
-A Handbook for Beautiful People (Irene)

St James, Simone
-The Other Side of Midnight (RIEDEL Fascination)

Stellings, Caroline
-Gypsy's Fortune (RIEDEL Fascination)

Stevens, Chevy
-Still Missing (Puss Reboots)

Summers, Courtney
-Sadie (Luanne)

Symington, Sabrina
-First Year Out (John Mutford)

Tagaq, Tanya
-Split Tooth (John Mutford)

Talaga, Tanya
-Seven Fallen Feathers (Irene)

Tamaki, Jillian
-Boundless (John Mutford)

Tamaki, Mariko & Joelle Jones
-Supergirl Being Super (John Mutford)

Thuy, Kim
-Man (Irene, Nancy)
-Vi (Irene, Buried in Print)
-Ru (Irene)

Toews, Miriam
-Women Talking (Naomi, Melwyk)
-Irma Voth (Irene)
-A Complicated Kindness (Irene)

Traikos, Michael
-The Next Ones (Irene)

Truth and Reconciliation Commission of Canada
-A Knock on the Door (Red 5)

Ungar, Michael
-We Generation: Raising Socially Responsible Kids (Irene)

Vargas, Fred 
-Wash this Blood Clean From my Hand (Cath)

Vaughan-Johnston, Sally & Best of Bridge
-Slow Cooker cookbook (Gord)

Vermond, Kira
-Half-Truths & Brazen Lies (Irene)

Wagamese, Richard
-Starlight (Melwyk, Irene)

Wees, Frances Shelley
-The Keys of my Prison (Nancy)
-This Necessary Murder (Brian Busby)

Wesley, Gloria Ann
-Chasing Freedom (Red 5)

Wiersema, Robert J.
-The World More Full of Weeping (Darlene)

Wilson, M.A.
-The Mystery of the Missing Mask (PussReboots)

Weymouth, Adam
-Kings of the Yukon (Irene)

Whyte, Ewen
-Desire Lines: essays on poetry, art & culture (Reese)

Wilkshire, Nick
-Remember Tokyo (Teena)

Will, Elaine M.
-Look Straight Ahead (John Mutford)

Williams, Stephen
-Invisible Darkness (Darlene)

Wright, Eric
-Final Cut (RIEDEL Fascination)

Wright, L.R.
-The Suspect (Reese)

Youers, Rio
-Halcyon (Luanne)

Young, Pete
-The High Road (Irene)

Younge-Ullman, Danielle
-Everything Beautiful is not Ruined (Irene)

Zebian, Najwa
-Mind Platter (Irene)