Mrs. Pollifax and the Second Thief

 

Mrs. Pollifax and the Second Thief / Dorothy Gilman
read by Barbara Rosenblatt
Blackstone Audio, c1993.

Another trip for Mrs. Pollifax! Her latest assignment is to take some photos at a small funeral in Virginia, then deliver them to her old friend Farrell in Sicily. He has specifically asked for her and Cyrus, but as usual Cyrus is busy with something else and Mrs. P goes alone (I do find it amusing how Gilman regularly gets rid of Cyrus, after introducing him in Book 5). 

Nothing that Mrs. Pollifax does ever turns out as easy as promised. Here, she is met in Sicily by Kate, a young woman also from the CIA but who is on holiday and just doing a favour. But their trip to meet Farrell turns into a car chase, rescue and retreat to a safe house of sorts - Kate's aunt's country house where she is staying. This aunt turns out to be almost as mysterious as the men searching for Farrell. 

This book was a bit slow for me, with most of it taking place within one house. There is some adventure beyond its walls, and an unlikely romance for Farrell too, but overall it's not as dramatic or eventful as some of the others. The plot can be a touch thin at times. 

However, it is always enjoyable to see Mrs. P and Farrell back together, and the main element that is tying this story together is a suspected assassin who they put behind bars some books ago, who Farrell is sure he has seen in Sicily. The resolution of that is a little amusing but definitely suitable for an Emily Pollifax story. This one was just okay for me, but there was still that layer of social commentary that made it worth reading. 

Mrs. Pollifax and the Whirling Dervish

 

Mrs. Pollifax and the Whirling Dervish / Dorothy Gilman
read by Barbara Rosenblatt
Recorded Books, 2011, c1990.

I haven't been writing too much this month, but I have been reading -- I need to catch up on some reviews, so I'll start with a series I've been obsessively listening to, the Mrs. Pollifax series.

In Book 9 of this fun series, I was transported to a hot and dangerous trek across Morocco. Mrs. Pollifax has been asked to deliver some important documents to an agent in Morocco, where an underground network of informants may be at risk. But when she arrives, she doesn't like this agent; there is something off she doesn't quite trust. So she tells him that she has memorized all the info and destroyed the documents for safety -- so she will have to come along on his journey to check up on their secret allies. He is not happy. 

Her instincts prove correct, when he is not what he seems to be, and her karate is about to come into play again. But then someone else appears, and the story moves forward with a different vibe. It was a bit of a different storyline, just Mrs. Pollifax and one other character at a time, essentially, on a long and lonely road trip. There is, as always, information about the country she's in and some history/sociology about the inhabitants, always thrown in as part of what she needs to know for her job but illuminating for the reader at the same time. 

This was quite a good one that I found appealing, with a strong setting and interesting set-up. I do like this series! 

Ordinary People Don't Carry Machine Guns

Ordinary People Don't Carry Machine Guns/ Artem Chapeye
trans. from the Ukrainian by Zenia Tompkins
NY: Seven Stories Press, c2025. 
128 p.

 Moving from yesterday's 1920s Kyiv to 2020s Kyiv with today's book. This set of essays by Artem Chapeye is a straight-talking, angry book about war and the way it affects a society. It was so powerful and striking in many ways. 

Chapeye was a leftist pacifist prior to Feb 22, 2022. But the reality of an invasion of his country led him to enlist shortly after the invasion began. He has been serving in the army since. 

The book is divided into three parts: “When Darkness Comes”, about the beginning and the incomprehensible reality of war arriving in a modern European country, and the way it immediately shook everything up. “It’s Necessary to Cultivate Your Garden” takes a look at everyday Ukrainians, their survival strategies and hopes for a return to a peaceful future. Then, “People Aren’t Divided into Brands" which examines the problems of elitism and the attitudes between different levels of Ukrainian society - how those who haven't enlisted often say that they can help elsewhere, with overtones of them being more important than those on the front lines. Chapeye has years, now, of serving in the army, and he worries about his wife and children, his country, and more, even as he doesn't waver from his role. 

I found Chapeye's earlier book, The Ukraine, memorable; a mix of fiction and reportage, it was published just as he had enlisted. This book is darker, more grounded in daily experience of war and the social issues it aggravates. It's a must read, as a fluent report of the day to day life of a Ukrainian soldier, one who is also an accomplished writer and journalist. Hard to read but so vital. 

The Sunflower Boys

The Sunflower Boys / Sam Wachman
NY: Harper, c2025.
352 p.

This novel, published as YA, is by an American writer with Ukrainian roots. It follows two young boys, Artem and Yuri, as the full scale Russian invasion arrives in Feb 2022. Their father is working in American, sending money home, while their mother and grandfather take care of them. 

Artem is an artist, drawing in his sketchbook constantly. He is a regular boy, with school hijinks, games, friends and so on. But as this book opens, he is realizing that he is also falling in love with his best friend. This theme of identity and self-awareness runs throughout the book, but there are bigger things to worry about once Russia arrives. 

After the first few days of hiding in the basement with the rest of their apartment neighbours, their mother decides that they are leaving the city to go to their grandfather's farm in the country. This seems like a good plan but it turns out to be a tragic decision. There is a horrific scene when the Russians find the house; it was very graphic and terrible, and perhaps readers should be aware that there is violence and terror in this book as well. 

Artem and Yuri escape and make their way across a hellscape of cold, dark countryside, trying to get to a city so they can flee to Kyiv. Eventually they make it, their father finally gets back into Ukraine and finds them, and they end up in Florida in the last chapters. But this trek is endless, full of difficulty, fear, hunger - and also the help of people they find along the way. Artem and Yuri stick together but as the elder brother, Artem is more permanently affected by his responsibility and awareness of what's going on. 

This was a striking and realistic read, a war novel that describes the realities of civilians caught in the middle of this invasion. It's also a humanising one; Artem's life and other concerns are still important to him, everything is not wiped by war coming. It was a powerful read, but readers should be prepared for some traumatic scenes, as Wachman doesn't hold back on the horrors of war. 

The City

 

The City / Valerian Pidmohylnyi
trans. from the Ukrainian by Maxim Tarnawsky 
Cambridge, MA: HURI, 2025, c1927.
504 p.

I read this recently, as it's a Ukrainian classic now available in English. It was written in 1927 and is considered one of the first urban novels (as per the title). 

The cover is evocative, as the story is about Stepan Radchenko, who comes to Kyiv from his village, to study and help build up socialism. He is ambitious, driven, sensitive to what others think of him, works hard and takes whatever advantage he can. He intends to climb the social/artistic ladder as high as he can. He doesn't have much emotional intelligence, but he knows how to play the game and advance himself wherever possible. I thought the story was quick moving, psychologically interesting, and definitely a great picture of 1920s Kyiv when Ukrainization was going strong -- before Stalin reintroduced russification and the generation of writers including Pidmohylnyi were killed -- the Executed Renaissance. 

However. I did not love this book. Stepan is a bit of a self-centred asshole so I had a hard time finding sympathy for him. He has three relationships with women once he arrives in Kyiv, all focused on his own needs and desires, not theirs. He forces himself on a girl from the village who had been stepping out with him, then drops her. He starts a physical relationship with his married landlady. And then he has a long-standing relationship with another young woman who he leads on to the point of proposing, only to then change his mind and drop her too. These women were only useful to him insofar as they helped him advance in some way. 

So Stepan's great ideal of socialism and equality only extends to men like him. The book thus made me feel conflicted; while I admired the writing style and some of the psychological insight into Stepan and his fellow writers and students, and the depiction of the arts scene in Kyiv, I was dismayed by the depiction of women's status and experience as being secondary and only important in relation to the men in the book.  Their rights of artistic growth and autonomy are not considered. At the same time, the writing itself is good, with quotable moments of insight and the evocation of an era. So this is a mid book for me -- the good is counterbalanced by the bad so it comes out just middling for me as a reader.  

More Days at the Morisaki Bookshop

More Days at the Morisaki Bookshop / Satoshi Yagisawa
trans. from the Japanese by Eric Ozawa
NY: HarperPerennial, 2024, c2011.
176 p.

I couldn't wait, after reading the first book in this set last week - I had to search out book two. Thankfully my library had it, so I brought it home and read it over a couple of days. I had to stretch this one out a little more than the first one, as it is quite melancholy and I needed a break before the conclusion. 

In this novel, Takako is reminiscing; the story is related from her future vantage point. I find this style a bit melancholic by nature, and this story has some sad parts in it for sure. It takes place 3 years after Takako left the bookshop for a design job, but she still comes back and hangs out at the bookshop and the coffee shops in the neighbourhood. She's now dating Wada, from the end of the first book, and along with her friend Tomo, has a life outside work -- something she had to create consciously for herself. As an aside, the description of Takako's romantic relationships seems unusual -- very formal, with not much communication on her part as to what's going on -- I'm wondering if this is a Japanese norm that I'm missing, or just a man writing a woman character. Anyhow!

Uncle Satoru and Aunt Momoko are still running the bookshop, but things are about to change, and Takako has to help Satoru come to terms with the way life is going. There is less talk about specific books and authors in this one than in the first, and more about the lives and relationships of the characters. Once again I was reminded of Banana Yoshimoto's style. 

I liked this one, although marginally less than the first one. It made me cry, and I found some lovely bits in it, though. This ties up the story of the Morisaki Bookshop, but the author has another series set in a cafe. Perhaps I will try that next. I find his style quite appealing and readable.  

 

House of Many Ways

House of Many Ways / Diana Wynne Jones 
NY: Greenwillow, 2009, c2008.
338 p.

This is book three in the Howl's Moving Castle trilogy, but it was written quite a few years after the first two and honestly didn't need Sophie or Howl in it at all. It could easily have been written without them, with no huge loss to the storyline. This is definitely even less connected to their world than book two was! 

Still, I liked this. There were lots of neat ideas in it, and the main character, Charmain Baker, was interesting to me as a bookish, stubborn girl. As the story opens, she is being sent off to keep house for her Great-Uncle William while he is away. There's nobody else to do it, so Charmain heads off to the very odd home of her great uncle, who is also known as the Royal Wizard Norland. 

This house has doors that open to different places, secret passages, magical water and food and so forth, and as Charmain finds out, also an apprentice, Peter, who just shows up at the door one morning expecting the Royal Wizard.  

Charmain gets involved (long story) with the King and his daughter, who are searching for something called the Elfgift, which will save their kingdom. The King is sifting through books in the royal library, and as Charmain is very good with books, she begins to assist him. These scenes in the dim, creaky library are wonderful, quiet and reeking of research. I enjoyed them! 

Howl's crew gets involved when the Princess calls in Sophie, now a feared sorceress, to help them in their search. Of course, where Sophie is, Howl and Calcifer and her child are not far behind. 

I liked this one, I thought the titular House was appealing, the villian (an insect like creature called the Lubbock) was suitably creepy, the plot was pretty good and Charmain was interesting. It felt a bit too farcical in some parts for me, as chaos is not my favourite plot device. But overall it was an enjoyable read. The creative set-up and the sneaky conspiracy that took a while to figure out were entertaining. I'm glad to have read all three titles in this trilogy now, although I'd probably only reread Howl's Moving Castle.