The Hundred Dresses

 

The Hundred Dresses / Eleanor Estes; illus. by Louis Slobodkin
NY: Clarion, 2014, c1944.
93 p.

A bittersweet, classic children's book for today's review. Wanda Petronski is a new student, in a school full of well-off children. The girls in her class, especially one named Peggy, make fun of her for her Polish name, the fact that she wears the same faded blue dress every day, and after a little while, for her outrageous claim that she has more dresses at home: “A hundred of them. All lined up in my closet.”

Peggy's friend Maddie feels bad about the way that Wanda is treated, but not enough to say anything -- she's afraid she'll be next if she does. But then Wanda stops coming to school, and they wonder what's happened to her. Shortly after, the school art prize is going to be announced, and when the students enter their class, there are 100 beautiful sketches pinned up to view -- all of the hundred dresses that Wanda had drawn before her family moved to the more friendly big city. 

Wanda has also left instructions for two of the sketches to be given in particular to Peggy and Maddie, as she created them with the girls in mind. Maddie realizes that she made the wrong choices, that speaking up is always the thing to do when something is happening that she is uncomfortable with. The lessons in this story are gentle and not overly didactic, they arise out of a naturally told story. And sadly they are still so relevant 80 years after this was written. 

But aside from that, the descriptions of the dresses and the imagination that Wanda shared with the class are all so lovely and I really enjoyed picturing the drawings that she'd created. A lovely read, with so many touching elements. 

(first published at FollowingTheThread.ca)

The Dream Stitcher

The Dream Stitcher / Deborah Gaal
Anchor House Press, c2018
295 p.

This was a random discovery for me, via my library, and a great find. It's a novel that moves between the USA in 2008, and WWII Poland, following a family line of women. It starts out rather fantastical, and has elements of magic throughout, particularly in regards to embroidery. But it also has realistic historical content and strong characters.

Goldye is the titular Dream Stitcher: in Poland she discovers an uncanny skill at embroidery early on (readers will know why). She's taken in by Kaminski Fabrics, and stitches magical wedding dresses for Christian brides. When the Germans come, Mr. Kaminski claims her as an Aryan niece from France, and Goldye changes her name to Anna to survive. But she is still in love with her Jewish resistance fighter, and uses her magical embroidery to fight in her own way. She's so good that a German officer takes interest in her, and requires her to accompany him to France to interpret the mystical imagery of the Bayeux Tapestry, which the Nazis are convinced tells of their victory. 

In 2008, we meet Maude, recently widowed and in financial straits. She has to take her mother out of the home she's been in, too expensive to continue it. When she moves her mother Bea home, she brings along a large recreation of the Bayeux Tapestry that the nurses say she stitched while there, even though Maude has never known her mother to sew anything at all. Maude's pregnant daughter also moves home, and they try to understand the family secrets that start leaking out, especially due to the large tapestry Maude has hung in the living room. 

I thought this was a fascinating read. It melds history, fantasy, mystery and some thriller-y bits too. Plus there is a lot about the magical power to stitch reality that Goldye holds, and what it can and can't accomplish. There are a couple of troubling scenes of sexual violence, during the war, readers should be aware. It can be hard to read, but it's all disturbingly real. The historical elements are strong and the WWII sections are compelling. 

When we hit the contemporary chapters, it is fascinating to feel the difference in narrative tone. Maude is flippant and childish at times, and the writing reflects this. It's like the whole story turns into Maude's story with a minute adjustment to tone. I thought it was really interesting! Maude's story slowly begins to link into Goldye's but what I thought was coming was not what was finally revealed. What a great build up to the conclusion, it surprised me. 

This was an unusual read, unexpected and memorable. I'm still thinking about it. The embroidery was a key part to the book, and makes me want to go see the Bayeux Tapestry - it's in England starting this fall, at the British Museum, for the first time in nearly 1000 years. That would be fascinating. 

But the characters and the creative storytelling are also fresh and engaging here. I am so glad I stumbled across this book. 

(first published at Following The Thread)

 

Mrs. Pollifax and the Second Thief

 

Mrs. Pollifax and the Second Thief / Dorothy Gilman
read by Barbara Rosenblatt
Blackstone Audio, c1993.

Another trip for Mrs. Pollifax! Her latest assignment is to take some photos at a small funeral in Virginia, then deliver them to her old friend Farrell in Sicily. He has specifically asked for her and Cyrus, but as usual Cyrus is busy with something else and Mrs. P goes alone (I do find it amusing how Gilman regularly gets rid of Cyrus, after introducing him in Book 5). 

Nothing that Mrs. Pollifax does ever turns out as easy as promised. Here, she is met in Sicily by Kate, a young woman also from the CIA but who is on holiday and just doing a favour. But their trip to meet Farrell turns into a car chase, rescue and retreat to a safe house of sorts - Kate's aunt's country house where she is staying. This aunt turns out to be almost as mysterious as the men searching for Farrell. 

This book was a bit slow for me, with most of it taking place within one house. There is some adventure beyond its walls, and an unlikely romance for Farrell too, but overall it's not as dramatic or eventful as some of the others. The plot can be a touch thin at times. 

However, it is always enjoyable to see Mrs. P and Farrell back together, and the main element that is tying this story together is a suspected assassin who they put behind bars some books ago, who Farrell is sure he has seen in Sicily. The resolution of that is a little amusing but definitely suitable for an Emily Pollifax story. This one was just okay for me, but there was still that layer of social commentary that made it worth reading. 

Mrs. Pollifax and the Whirling Dervish

 

Mrs. Pollifax and the Whirling Dervish / Dorothy Gilman
read by Barbara Rosenblatt
Recorded Books, 2011, c1990.

I haven't been writing too much this month, but I have been reading -- I need to catch up on some reviews, so I'll start with a series I've been obsessively listening to, the Mrs. Pollifax series.

In Book 9 of this fun series, I was transported to a hot and dangerous trek across Morocco. Mrs. Pollifax has been asked to deliver some important documents to an agent in Morocco, where an underground network of informants may be at risk. But when she arrives, she doesn't like this agent; there is something off she doesn't quite trust. So she tells him that she has memorized all the info and destroyed the documents for safety -- so she will have to come along on his journey to check up on their secret allies. He is not happy. 

Her instincts prove correct, when he is not what he seems to be, and her karate is about to come into play again. But then someone else appears, and the story moves forward with a different vibe. It was a bit of a different storyline, just Mrs. Pollifax and one other character at a time, essentially, on a long and lonely road trip. There is, as always, information about the country she's in and some history/sociology about the inhabitants, always thrown in as part of what she needs to know for her job but illuminating for the reader at the same time. 

This was quite a good one that I found appealing, with a strong setting and interesting set-up. I do like this series! 

Ordinary People Don't Carry Machine Guns

Ordinary People Don't Carry Machine Guns/ Artem Chapeye
trans. from the Ukrainian by Zenia Tompkins
NY: Seven Stories Press, c2025. 
128 p.

 Moving from yesterday's 1920s Kyiv to 2020s Kyiv with today's book. This set of essays by Artem Chapeye is a straight-talking, angry book about war and the way it affects a society. It was so powerful and striking in many ways. 

Chapeye was a leftist pacifist prior to Feb 22, 2022. But the reality of an invasion of his country led him to enlist shortly after the invasion began. He has been serving in the army since. 

The book is divided into three parts: “When Darkness Comes”, about the beginning and the incomprehensible reality of war arriving in a modern European country, and the way it immediately shook everything up. “It’s Necessary to Cultivate Your Garden” takes a look at everyday Ukrainians, their survival strategies and hopes for a return to a peaceful future. Then, “People Aren’t Divided into Brands" which examines the problems of elitism and the attitudes between different levels of Ukrainian society - how those who haven't enlisted often say that they can help elsewhere, with overtones of them being more important than those on the front lines. Chapeye has years, now, of serving in the army, and he worries about his wife and children, his country, and more, even as he doesn't waver from his role. 

I found Chapeye's earlier book, The Ukraine, memorable; a mix of fiction and reportage, it was published just as he had enlisted. This book is darker, more grounded in daily experience of war and the social issues it aggravates. It's a must read, as a fluent report of the day to day life of a Ukrainian soldier, one who is also an accomplished writer and journalist. Hard to read but so vital. 

The Sunflower Boys

The Sunflower Boys / Sam Wachman
NY: Harper, c2025.
352 p.

This novel, published as YA, is by an American writer with Ukrainian roots. It follows two young boys, Artem and Yuri, as the full scale Russian invasion arrives in Feb 2022. Their father is working in American, sending money home, while their mother and grandfather take care of them. 

Artem is an artist, drawing in his sketchbook constantly. He is a regular boy, with school hijinks, games, friends and so on. But as this book opens, he is realizing that he is also falling in love with his best friend. This theme of identity and self-awareness runs throughout the book, but there are bigger things to worry about once Russia arrives. 

After the first few days of hiding in the basement with the rest of their apartment neighbours, their mother decides that they are leaving the city to go to their grandfather's farm in the country. This seems like a good plan but it turns out to be a tragic decision. There is a horrific scene when the Russians find the house; it was very graphic and terrible, and perhaps readers should be aware that there is violence and terror in this book as well. 

Artem and Yuri escape and make their way across a hellscape of cold, dark countryside, trying to get to a city so they can flee to Kyiv. Eventually they make it, their father finally gets back into Ukraine and finds them, and they end up in Florida in the last chapters. But this trek is endless, full of difficulty, fear, hunger - and also the help of people they find along the way. Artem and Yuri stick together but as the elder brother, Artem is more permanently affected by his responsibility and awareness of what's going on. 

This was a striking and realistic read, a war novel that describes the realities of civilians caught in the middle of this invasion. It's also a humanising one; Artem's life and other concerns are still important to him, everything is not wiped by war coming. It was a powerful read, but readers should be prepared for some traumatic scenes, as Wachman doesn't hold back on the horrors of war. 

The City

 

The City / Valerian Pidmohylnyi
trans. from the Ukrainian by Maxim Tarnawsky 
Cambridge, MA: HURI, 2025, c1927.
504 p.

I read this recently, as it's a Ukrainian classic now available in English. It was written in 1927 and is considered one of the first urban novels (as per the title). 

The cover is evocative, as the story is about Stepan Radchenko, who comes to Kyiv from his village, to study and help build up socialism. He is ambitious, driven, sensitive to what others think of him, works hard and takes whatever advantage he can. He intends to climb the social/artistic ladder as high as he can. He doesn't have much emotional intelligence, but he knows how to play the game and advance himself wherever possible. I thought the story was quick moving, psychologically interesting, and definitely a great picture of 1920s Kyiv when Ukrainization was going strong -- before Stalin reintroduced russification and the generation of writers including Pidmohylnyi were killed -- the Executed Renaissance. 

However. I did not love this book. Stepan is a bit of a self-centred asshole so I had a hard time finding sympathy for him. He has three relationships with women once he arrives in Kyiv, all focused on his own needs and desires, not theirs. He forces himself on a girl from the village who had been stepping out with him, then drops her. He starts a physical relationship with his married landlady. And then he has a long-standing relationship with another young woman who he leads on to the point of proposing, only to then change his mind and drop her too. These women were only useful to him insofar as they helped him advance in some way. 

So Stepan's great ideal of socialism and equality only extends to men like him. The book thus made me feel conflicted; while I admired the writing style and some of the psychological insight into Stepan and his fellow writers and students, and the depiction of the arts scene in Kyiv, I was dismayed by the depiction of women's status and experience as being secondary and only important in relation to the men in the book.  Their rights of artistic growth and autonomy are not considered. At the same time, the writing itself is good, with quotable moments of insight and the evocation of an era. So this is a mid book for me -- the good is counterbalanced by the bad so it comes out just middling for me as a reader.