I recently read two debut collections of short stories, back to back. This wasn't intentional, but although they are not brand new books, they were new to my library and both looked appealing. And I did enjoy them, to different degrees. Here are a few thoughts on both.
Paper Teeth / Lauralyn Chow
Edmonton: NeWest Press, c2016.
A collection of connected family stories circling around the Lees, a Canadian-Chinese family living in Edmonton, through the 60s and 70s, this has warmth and humour. The narrator is usually the younger daughter, although some of the stories come from different perspectives.
The book is arranged in sections named after menu items on a Chinese Canadian restaurant menu, and most of them do focus on the kind of domestic, interpersonal issues represented by food and the way it plays into identity.
I found it really absorbing reading; Chow has a unique story to tell, even with the reliance on the kind of family stories we might expect to see in short fiction. Her characters develop more complexity as you read, and see them in different situations and at different ages.
Her narrative style is also quite fascinating -- she has a habit of adding in parenthetical afterthoughts or commentary, often ironic and/or funny, often a judgement made by an older narrator/writer. It's very entertaining, and I found that particular habit intriguing. I really liked this book. There was good writing and lots of great imagery, as well as things happening -- not just vague or open ended stories about emotional exploration of the self.
Bad Endings / Carleigh Baker
Vancouver: Anvil Press, c2017.
This collection has been getting quite a bit more attention than the first, and it is a solid book. My personal preference was for Paper Teeth, as many of the stories in Bad Endings sounded vaguely familiar, similar to much contemporary Canadian short fiction, at least to me.
There were a couple of stories which really stood out for me, especially the one which inspired this beautiful cover art. In that story, there are vivid descriptions of wild rivers, salmon, hard work -- it's active and energetic.
But generally this collection felt MFAish, and not the ideal one for me. Many of the stories featured young people in some kind of life transition. There was drudgery, uncertainty, a bit of squalor, and frequent trailings off into a kind of ending. This may be more resonant for and reflective of millennial life at this moment; perhaps younger readers will engage more wholly with this collection. I admired her writing ability and the lack of academic navel gazing in this book, but it didn't catch me entirely.
How about you? Have you read any good short story collections lately? Anything you would recommend?