Friday, February 05, 2010
Making & Mending with Ruth Thomas
Things to Make and Mend / Ruth Thomas
London: Faber & Faber, c2007.
I first heard of this novel from a few British bloggers, and it sounded quite intriguing so when I found a copy locally I picked it up, intending to read it right away. A year later I have finally got around to reading it, and once I began I finished it in one great reading day.
I've been in a little bit of a reading & reviewing slump, mostly because I've been so very busy this month with work. (fun things like organizing poetry readings, but still, time consuming). I'll begin my reviews again with this novel, which really engaged me.
Things to Make and Mend is basically the story of two best friends, Sally and Rowena. They attend high school in Sussex in the 70s, and are inseparable until the age of fifteen when an unforgivable betrayal comes between them. The story follows each of them until they meet again, by chance, in Scotland.
Sally was not the best student, ending up leaving school and focusing on needlework which she had discovered a strange facility for while in Domestic Science classes with Rowena. Rowena, on the other hand, is quite brilliant, but makes the fatal error of getting pregnant at fifteen. She thus also leaves school, but later makes something of herself, becoming a French translator and marrying a nice Canadian man she meets at a conference. At the opening of the story, Sally has won a major needlework prize and is heading off to a conference in Scotland where she is to be a key speaker, the very thought of which terrifies her.
The story follows each of them in alternating chapters, allowing us a look at what exactly happened to these friends, from each point of view. Sally is really the main character, and I was absorbed in her story, wishing I could actually take a look at her bohemian, 70s style embroideries. A particularly nice touch was Rowena's opinion of the woman in the airport before she recognized her as Sally; as teens Sally had always thought of herself as awkward and overlarge, as compared to the pretty and witty Rowena. But when Rowena sees her as a grown woman, she wistfully thinks that she would like to be as colourful and artistic-looking as the woman lugging the portfolio.
The joy of this book was in the details of Sally and Rowena's lives, the way the little things of being a teenager were brought out, including the hours they suffered in Miss Button's needlework class together. The day to day living of being adults is also finely drawn; for example, the way Sally and her coworkers at a tailors shop form a kind of family while knowing that if one of them left they would disappear quietly and not keep in touch. Or the way in which Rowena has to acknowledge that her son, who is moving to America, will be distant from her from that moment on in both geographical and emotional terms. The small eccentricities of many characters who appear briefly through the story create a full backdrop, one in which it feels that a whole world is busily moving on and we are only catching glimpses of it.
It's a slow, meandering kind of read -- if you are looking for lots of excitement and clashing personalities and romance, look elsewhere. What I really enjoyed about this reading is the voice of the author: she has a deliberate style which I found appealing. As we get to know Sally there is a technique she has of putting things into lists, for example --
By that time, Colin had begun to occupy about eighty percent of her waking thoughts in any case. She thought of him every hour of every day. She thought about:
his sense of humour (surreal, sometimes slightly cruel)
his smooth skin
the scar on his left hand
his grey eyes
his off-hand manner
his reasons for loving her (she tried not to wonder about this too much).
This is reflective of Sally's need to keep everything organized, a way to keep hold of details, something she finds difficult. As she says near the beginning, she thinks she has become a needlewoman because "There is nothing more tangible than threads sewn through cloth. She is happiest with something that is stitched down, not given the chance to slip or unravel or change."
The two girls are well drawn, with clear personalities as teenagers, then as adults both sounding a bit isolated, a bit lost. It is clear they really need to cross paths once again.
Unfortunately there were a couple of flaws which I did find a bit jarring. The listing technique which I so enjoyed in Sally's chapters appears later in one of Rowena's. This seemed to be an ill fit, as first off it doesn't suit Rowena's character or first person narrative, and secondly it blurs the distinction between Sally and Rowena too much, making the author too apparent. Still, that did occur only once.
The other problem I had was that the whole book was leading up the reconciliation of these two former best friends, and the revelation of the truth of their estrangement. When it came it was at the very end of the book, taking place over just a few pages. It felt a little abrupt, and I would have liked to see more of an adult relationship developing between these two now quite different women. Sally (and the reader) is provided with the truth in what feels like a bit of a creaky plot move, as Sally runs across their old teacher Miss Button at her needlework conference. The facts of what happened are pretty clear to the reader much earlier than to Sally but I would have enjoyed seeing Sally and Rowena hash it out a little and come to a new friendship.
Nevertheless, I very much enjoyed reading this one. I found the voice of the author and the quiet lives of our two protagonists absorbing and learned a lot as well, about needlework and about England in the 70s. Also, the cover is really gorgeous, embroidered by someone who has obviously read and loved the book. Recommended to anyone fond of English women's fiction, or who has the slightest inclination toward the Domestic Arts.
Dovegreyreader shares her needlework recollections
Lovely summary at Viola in Vilnius
Sue's Book Reviews shares her opinion at The Bookbag