Thursday, June 30, 2011

Creative Days this month




I've had so much fun with the 30 Days of Creativity project! Each day in June, participants were supposed to create something and share it. While I've been lax about posting pictures of all my projects I've enjoyed the push to create...and I wasn't creating great works of art or even anything lasting, but it was the impetus to look at things differently each day that I found enlivening.


By focusing on creativity daily, and also being reminded of the vast creative impulse by looking at all the projects others were posting, my playful energies were restored and I found each little project entertaining. Somehow it gave me a sense of wider horizons, offering a chance to look outside my habitual perceptions.


All this from a little glue, paper, fabric and foodstuffs! Who knew? While I made some kitchen goods and sewed a bit, a lot of my creative output referred in some way to bookish themes (quelle surprise, I know). Thought I'd share a few of the book/writing related projects I've made this month.


Day 2: A Bookish Business Card Holder (I think this was one of my favourite things)



Day 18: folded corner-tab bookmarks

Day 13: Earrings from fountain pen nibs - I especially liked the ink reservoir cutouts in this set





And lastly, a dream board collage for my business, Four Rooms Creative Self Care (this was really fun to make)


Just a few of the things I made during a month long creativity extravaganza! Lots of fun, and surprisingly inspirational.

Tuesday, June 28, 2011

Canadian Reading Challenge!


I can not believe it is that time of year again...time for the roll-over of the Canadian Book Challenge hosted by John at the Book Mine Set. This year is kind of special for a couple of reasons: first, it's the Fifth Year of the challenge, a milestone. Second, John was just featured in the Globe & Mail Saturday Book section in an article on Reading Challenges! It's a good article, balanced and fairly thorough -- check it out at the G&M online if you want to see a great photo of John (taken by his wife).

I love this Challenge because, of course, it's Canadian. But also because it is so laid back (also Canadian?) The challenge consists of reading 13 books -- any genre, any topic -- which you consider Canadian, over the course of a year, July 1st-July 1st. That's easy! You can do it! Join us this year and stretch your reading habits, and see what everyone is reading as well. It's very enjoyable.

And another thing -- this year for the first time there is a kickoff Readathon! Because John knows that we will all be partying on July 1st he has set the Readathon to run Saturday July 2nd at noon to Sunday July 3rd at noon. Read as much of those 24 hours as you can handle and get a great start on this Challenge. I'm going to try to participate... from my last try at Dewey's Readathon I know that it is highly unlikely I'll make the whole 24 hrs but I have a great stack to start into :)


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For the Fifth Challenge I wanted to choose a special theme. I pondered what I could do to challenge myself. I read a book from every province one year, 13 prairie books another, and this year I've been reading books by authors I've never read before -- and I've discovered some fantastic books! I have finally decided that my theme for the 5th Canadian Book Challenge is going to be:

Small-press-palooza!


I'm planning on reading a bunch of novels from as many of Canada's small presses as I can (and by that I mean those who are not one of the Big Names). I have thirteen titles on a stack just waiting for Saturday. There are so many fantastic small presses in Canada that I'm sure I'll find many, many options over the year.

Wednesday, June 22, 2011

Simon Van Booy's Stories



I discovered Simon van Booy a couple of years ago, through Bookfool who had raved about his short story collections, The Secret History of People in Love and Love Begins in Winter. I'm really looking forward to his newest book, a novel, entitled Everything Beautiful Began After.



His writing is charming, old-world in the best kind of way, and always provides a wonderful reading experience. It exhibits melancholy, moments of great poignancy and memorable characters. He is a great writer who I've consistently been impressed by. (And, as an aside, I've begun following him on Twitter @simonvanbooy and he just mentioned a weakness for buttons. How can you not love this writer?)

HarperCollins, his publisher, is featuring an ebook special in celebration of his soon-to-be-released book -- they are offering his short stories for only $1.99 for each story! (the whole collection is available for $9.99 -- very reasonable) If you want to explore his writing here is a great chance. They have this deal available at the following places:

Amazon

Barnes & Noble

Google Books




Give this deal a chance -- I can almost guarantee that you will become a big fan of Mr. Van Booy as well!

Friday, June 17, 2011

Vaclav & Lena


Vaclav & Lena / Haley Tanner.
Toronto: Knopf, c2011.
304 p.

I enjoyed this new book I received from Random House recently. I read it all on one sunny Sunday afternoon, while I was relaxing outside. I really couldn't put it down! The author had great pacing, and two main characters who were so interesting I wanted to see how their story turned out.

I have to admit I had a few reservations when I began it; will this be too twee for me? A little too quirky? But as I got into the rhythm of the book that fear dissipated. Vaclav and Lena are children, living in Brooklyn, at the beginning of the book -- they hang out at Vaclav's house practicing magic tricks because Vaclav is going to be a famous magician when he grows up. They are both from Russian immigrant families: Lena with a confused sense of where she came from and a neglectful aunt who "cares" for her in a laissez-faire kind of way, and Vaclav with a strong mother who mothers them both, as well as a father who drives taxi and is loud and rather loutish.

Their relationship develops under the watchful eye of Vaclav's mother, until one day Lena simply disappears. After Vaclav's heartbreak over this, the book jumps ahead to Vaclav's high school years. He's now a tall, handsome, still slightly odd and still magic obsessed 17-yr-old. And then he is contacted by Lena.

The craziness that ensues at their reconnection is tied to Lena's issues -- secrecy, possessiveness, a loose grasp of veracity, and a longing to know her family history. Their hopes of rekindling the passionate connection of their childhood are jeopardized by the issues they now face as individuals teetering on the edge of adulthood. But the story satisfies us with a hopeful though not perfect conclusion.

Near the end I had some issues with the plot. There were weaknesses in the explanation of what happened to Lena as a child, especially in the description of the neglectful aunt's motives for her treatment of Lena. I didn't believe that her explanation really made sense in light of the earlier scenes in the book. It was a tidy explanation that seemed to be trying to explain away the hurt and the darkness in the book, which I didn't think was needed. Lena's experience was hurtful; that was the truth.

This was a very enjoyable read. The setting, the characters, even Vaclav's fascination with stage magic, all made it entertaining. The author's voice was lively, with an original perspective. I was absorbed in this story for a full day and found it well worth the time invested ;)

And the cover is so lovely -- in appearance and in texture. Just had to mention that!

Tuesday, June 14, 2011

Outward Room



The Outward Room / Millen Brand
New York: NYRB Classics, 2010, c1937.
240 p.

This is a reprint of a 1937 novel by Millen Brand, part of the NYRB Classics series (with one of their lovely covers). It is still a good read after 75 years...still appealing and relevant.

The main character, a woman who eventually chooses the name Harriet, is in a mental hospital as the book opens. She's suffered a nervous breakdown at age 15, after her brother's death. She can't bear to see her parents when they try to visit, and her recovery seems a tenuous hope. She's been there seven years and her doctor seems to be getting impatient with her. She begins thinking about escape...then miraculously circumstances conspire to make it a possibility, one she takes advantage of.

From this small institutional room, the next section of the book details the surreal circumstances of her escape and her flight to New York City -- she feels that she could get lost in such a big place and secure her freedom. She does so; and she finds a small room that she boards in for a short while until her money runs out. This section is brief, and gives the feeling that Harriet is a scared rabbit hiding in a hole until everything calms down. Unfortunately, even in 1937 her little bit of money doesn't go very far, and she is out on the street, taking advantage of the all-night subways to keep moving and not attract notice as a vagrant. This doesn't work as well as she'd thought it would, and finds her exhausted in an all-night diner.

Then she moves to the next room...the third and last. She is rescued in her extremity by a kindly man who takes her in ostensibly for a day, but she ends up staying permanently. They develop a friendly relationship that is based on equality and give and take. He's a former miner, currently a machinist. She gets a brief job in a dressmaking factory but the work dries up and she is at home once more. There is a lot of talk about the living conditions, the lack of work, the focus on money, and such things, not only between Harriet and John but also in his extended family and among the friends she makes in her brief job.

Throughout the book, there are wonderful descriptions of daily life, told laconically and without much emotion. The struggle to survive physically parallels Harriet's detemination to see whether she can heal herself. The calm, equitable relationship she builds with John seems to help her, though at one point he asks her to marry him -- and she refuses, on the grounds that she is insane. She holds to that identity, afraid she will have another episode, until something happens which makes her realize she is actually helping someone else face the kind of thing that sent her into nervous breakdown. And she realizes that she is well again and that there is hope for the future.

This is a rather vague summary of the storyline; the quiet glory of it lies in its voice. Harriet's surroundings are carefully drawn, but don't feel like filler or like the appearance of excess research. It is simply the atmosphere in which she lives. The particular variations of how people live are finely delineated, giving tantalizing partial glimpses of the people Harriet interacts with, both in the asylum and in New York. The smallest scenes are full of import, and though the story seems quiet, with Harriet continually testing herself, there is a lot going on. Harriet moves from hopeless to radiantly hopeful, and it is wonderful. As she says near the end:

Yet the evidences of winter were small, only to be seen, like the signs of spring, by the heart that feels small changes.

This is a book full of small changes, incremental changes both in Harriet and her society, that end up making a big difference. It was a wonderful find.

Monday, June 13, 2011

All About Me

Found a fun website called Mirror.Me -- similar to Wordle except this one generates a tag cloud from a location that you choose. I input my Twitter handle and this is what I got:

Go to Melanie's Mirror.Me Reflection

I like it. Except strangely there is a mention of "mom" and "mother" in the tag cloud, which I am definitely not. Oh well, otherwise it is pretty good!

Thursday, June 09, 2011

Please Look After Mom


Please Look After Mom / Kyung-Sook Shin; translated by Chi-Young Kim.
Toronto: Random House, c2011.
237 p.

This is a Korean best-seller that has just been released in English. It's the tale of a Korean family whose mother goes missing after she is inadvertently left behind on the subway platform at a busy station in Seoul.

The book is broken up into four sections: the first, told in the voice of the eldest daughter; the second, the eldest son; third, the husband; and finally, in the mother's own voice. At first we learn what the situation is, then we start to learn more about the family and their shared history through flashbacks and guilty remembrances. The language is fairly simple, and the narrative is plain and straightforward -- but the simplicity is deceiving as the story has layers and layers, and deep emotional content. I found myself crying in parts, especially near the end.

It's a unique tale and one that covers this family's life, from the parents' childhoods right up to the current moment when the children are middle-aged, some with children of their own. It held a certain fascination for me in the way that it described, in a rather off-hand manner, all the domestic details of their lives. The mother spends her life, from her early marriage on, caring for the house, feeding everyone, cleaning, planting, harvesting, pushing her children to study and so on. She comments on how hard it was, what appetites her children had, but accepts it as simply the way life is. She is portrayed as a strong woman who can simply look at a seed in order for it to grow, a caring mother who will travel all the way in to Seoul to bring her young adult sons a meal and travel all the way home to the country the same day so that she won't inconvenience them with sleeping arrangements. She is a character who cannot read, whose intellectual growth has been limited by life, but who also values education highly and pushes her children to succeed. I was saddened by her inability to recognize her own accomplishments as success as well.

The story gives us a vision of the traditional countryside -- the food, the houses, the family arrangements -- and contrasts that with the modern Seoul lifestyle of the adult children, especially the eldest daughter who is a writer and flies around the world to various locales quite regularly.

Saying that this is a story told about a disappearance is true; but it is also much more. It's about the disappearance of a whole way of life as the children leave their small town. It also questions whether their mother hadn't already lost herself years before. I was impressed by this book, both by the multifaceted family the author has created and by the seemingly effortless way she includes details of Korean life. Seeing the story from different perspectives also allows us to share the different ways that women and men were and are treated, and the expectations they hold -- with the resultant levels of guilt or feelings of responsibility for what has occurred.

While it may use motifs of motherhood and penitential confessions, even going so far as to have the eldest daughter gazing at a statue of the Virgin Mary when in Rome and thinking of her own mother, I really didn't find that it was trying to canonize the very idea of "motherhood". Personally I shy away from things that idealize and romanticize the fact of being a mother, yet I didn't find this at all smarmy. After all, we've all felt at times as if we've ignored or discounted our own mother's real life -- even in some small way -- and then felt guilty about it, haven't we?

It was poignant without using a lazy appeal to the emotions, it was deeply sympathetic even to the unlikeable-at-first-glance characters, and it was an original take on a family dealing with loss. Recommended.

Wednesday, June 01, 2011

Day One: 30 Days of Creativity Challenge

For my first day, I wanted to ease into things...to create something small that I'd never tried before. Inspired by the covers of two books I read recently --

and this one:I took out this book from my library:


And I ended up with this:

The red ones are from a pattern in this book. The others are a pattern I found online -- from someone who was at a Wayson Choy reading at which he folded butterflies in return for questions. She was nice enough to post the pattern instructions (very easy, just my style). Origami has always kind of baffled me -- even though all the seven year olds in the library are experts. So I am pleased I finally made something that looks like the thing it is supposed to be! (I added paperclip antennae to the yellow & white butterfly and quite like them...)
They seem quite at home with the gnome in the front porch ;)